Just Stay Chi! Weekly Clubbing Preview 29 (2014)

Monday 7/21/2014

Bodi HIP HOP INDUSTRY MONDAYS WITH DJ R DOUBLE AND SEAN MAC! Call 312.440.9680
EvilOlive SRTB Presents:  Porn N Chicken Xmas In July Banger! RSVP for no cover till 11PM
The MiD Industry Mondays presented by Effen Vodka RSVP Deal: Free Before 11:30 PM
Roof on the Wit Movie Mondays – Ted Reservations Call: 312-239-9588

Tuesday 7/22/2014

Door No.3 The TRAP House Say “HATZ” at the door for FREE entry till 10:30 PM reduced after
Primary Primary $2 Tuesdays Text “VIP” to 41411 for No Cover
Roof on the Wit Roof Live -A Skyline View and Live Acoustic Guitar. $5 Coronas all night. Reservations Call: 312-239-9588

Wednesday 7/23/2014

Roof on the Wit Dj Step Reservations Call: 312-239-9588
Smartbar SCRUBFISH / FRANKIE J / CZBOOGIE / MICHAEL LACEY /  KARL ALMARIA FREE
Studio Paris Studio Sessions: Jus Jack For Tickets follow the LINK. To reserve a table, please call 312.595.0800 or email studioparis@leye.com.
The Underground EDW- Every Damn Wednesday For reservations email Host@TheUndergroundChicago.com

Thursday 7/24/2014

Bodi KnowleDJ  Contact 312-709-0949 for table reservations and guest list!
The MiD   Dj Mustard Password “WHYSOCHI” LADIES FREE ALL NIGHT, GUYS FREE till 12 Am $10 After. For Tables text 773.504.4348
Primary Them Flavors Thursdays feat. Dr Jeep $5 with RSVP $10 without
Roof on the Wit Kane Reservations Call: 312-239-9588
Spybar AVATISM | CLOCKWORK | MAX & MANTAS RSVP DEAL: Free Before 12 AM $20 After
Smartbar LIGHTPOLITE / NEIL JENDON / SYNESECT / GREEN PASTURE HAPPINESS / CUTLABOR / VIOLET SYSTEMS FREE
Studio Paris Dj Dolo To reserve a table, please call 312.595.0800 or email studioparis@leye.com.

Friday 7/25/2014

8Fifty8 The Movement Fridays For Guest list and Table Reservations follow the LINK. For parties, call 312.455.2776.
Bodi Bodi Saturdays Contact Brett@bodichicago.com for table reservations and guest list!
Castle Kings Of Class, Orville Klein, Animale Follow the LINK for tickets
EvilOlive The Lab Say “EVIL” at the door for discount admission all night.  For booking parties and bottle service please contact eviloliveinfo@gmail.com
The MiD Starslinger and Moon Boots Passowrd “WHYSOCHI” gets LADIES in FREE ALL NIGHT, Guys FREE till 12 $10 after. For Tables Text 773.504.4348
Primary  Julian Jeweil along with DJ Hyperactive, Jason Patrick & Frankie Vega. RSVP@primarichi for reduced cover, Ticekts also available by following LINK
Roof on the Wit delaChapelle Reservations Call: 312-239-9588
Smart Bar Troy Pierce, Karl Meier $13 before midnight $15 after. To purchase tickets follow the LINK.  $10 Before midnight with Facebook RSVP or valid student ID
Soundbar Slander $20 General admission. RSVP for free cover before 12 PM $10 after.
Spybar AVATISM | CLOCKWORK | MAX & MANTAS RSVP Deal: Free Before 12 AM $20 after.
Studio Paris The EC Twins  To reserve a table, please call 312.595.0800 or email studioparis@leye.com.

Saturday 7/26/2014

8Fifty8 It’s A Suit and Tie Thing For Guest list and Table Reservations follow the LINK. For parties, call 312.455.2776.
Bodi Reset Saturdays – Sean Mac, Legacy, PC3 Contact Brett Picarazzi at brett@bodichicago.com for table reservations!!
Castle Mark Stout and Brian Boncher Follow the LINK to buy tickets.
EvilOlive Hot N Bothered Password “OPEN SESAME” 11PM // $10 TILL 12AM
The MiD Control Saturday with Ron Carroll Password: WHYSOCHI Ladies FREE All Night, Guys Free Till 12 Am. For Tables Text 773.504.4348
Nikki It’s Ladies Night RSVP DEAL: Ladies Free | Men Free 10-12 Reduced After
Primary Aural Matrix Presents Daron Epsilon, Jade DJ, Jon Quinn, Curt Caris RSVP@primarichi for reduced cover, Tickets also available by following LINK
Roof on the Wit Kevin Brown Reservations Call: 312-239-9588
Smart Bar Innespace Halflife, Steve Mizek, Basilio Nochols $13 Before Midnight, $15 after get tickets by following LINK
Sound-bar Sooundbar Saturdays $20 general admission. RSVP for free cover before 11:30 PM
Spybar Inphinity, Kalendr, Johnny R RSVP Deal: FREE before 12 Am, $20 after.

Sunday 7/27/2014

Roof on the Wit Lil Jon Reservations Call: 312-239-9588
Primary The Pool House CXV ft.Special E.D., NORdj’s, & Johnny Nonstop Table Reservations: Contact Any Host
Smart Bar Derrick Carter / Michael Serafini / Garrett David $7 All Night
Studio Paris Save Your Soul Sunday Party with Ron Carroll! For Tickets follow the LINK. To reserve a table, please call 312.595.0800 or email studioparis@leye.com.
The Underground CIA Sundays w/ Dj Eddie RSVP to CIA@RockitRanch.com

Exclusive: Kings of Class [Interview]

 

Kings Of Class

Kings of Class:                 Bobby De Maria & Tsunami

It was truly an honor to interview the members of Kings of Class, Tsunami and Bobby De Maria. This DJ/Producing, clothing line and entertainment company owning duo from Chicago *deep breath* is seriously the ones to look out for. Please checkout their new and hottest remix of Kaskade’s “Ain’t Gotta Lie.” This deep house track will definitely be on my summer favorites track list. Below this interview I posted all the links you need to learn more about Kings of Class. Hope you enjoy this interview, I without a doubt did!

-Rooty_V

What is the meaning behind the name Kings of Class?

The name is kind of an irony in itself. Based on our past track record of basically just being like party boys. Some might say, we are the opposite of classy. This was more towards our younger age, not so much now.

What are some of your influences?

We’re both into Dance and House Music before this whole EDM bubble popped. Bobby: One of Erik’s favorite groups that he turned me on to and one the first electronic shows I ever saw, that changed everything for me was Crystal Method. As far as our influences now go, we are more towards Underground Tech House and Deep House, this is what we are playing more at these shows. Guys like Mark Knight and Alex Kenji are pretty big influences.

 

What do you think of Spring Awakening Music Fest (Chicago)?

It was great, we were supposed to play Sunday but we got pushed up to play Saturday. We performed on The Club House Strobe and the Dirty Bird Stage. Just seeing our name on the big LED sign, it was great! The rest of the night was cool, we had a chance to play at Concord with Ardie and Sander Van Doorn. It was really a fun show.

 

What advise would you give to upcoming DJs/Producers?

 Making your own stuff and putting your own spin to things, you have to make your own tunes. Do anything that will set you apart from the 9 million other people doing this. We still learn as we go, especially through of trial and error. Never think as a DJ that you don’t have to promote yourself  your music and shows.  You always have to network. Promoting yourself and others around you is important because, especially with this social media bubble, is that everyone is promoting and supporting everybody to maximize your reach. You can’t be in it just for yourself. You can’t be selfish and bigheaded, you have to work as a team. You have to emerge yourself, work on  your music at least a couple hours a day. It is easy to lose focus, treat it as a job.  The party doesn’t have to stop, it just has to become smart. 

 

What is House Music Saved My Life?

House Music Saved My Life  was  created by a national entertainment company called United2Nite. United2Nite creates, produces, and funds dance music shows. The conceptual idea behind the sessions is to bring out of the ordinary house music parties to venues across the country. Three months ago we decided to turn the company more towards non-for-profit in hopes that we can have a more literal meaning and get house music to “save some lives.” We pledged to raise money for the charity during the course of the year. All the money we make at the events will be donating to the cause. 

**Event dates for House Music Saved My Life are posted below this interview**

What do you think about the EDM scene at the moment?

Its blown up bigger than its ever been in the US ever. EDM is a lot more mainstream, everyone likes it, therefore a lot more opportunities popping up. We are sitting in an especially awesome position because people are going to being to get into the underground sound, which is like the tech house and Chicago house. They want to see how deep the rabbit hole goes.

What’s your favorite set?

As Kings of Class, we played in New Orleans last summer (2013), it was one of those outrageous road trips. That night before we left for New Orleans, we were fortunate enough to play on the main stage in Castle( in Chicago) for the Lollapalooza After Party! The whole weekend was outrageous. The club in New Orleans we played at was open until 8am and our set didn’t start until 5am, it was complete chaos!(In a good way) People kept coming in, it was a great time.

 

Upcoming Event: Kings of Class @ Evil Olive in Chicago, IL Monday, July 21 @11:00P

Facebook: https://www.facebook.com/KingsOfClass

Soundcloud: https://soundcloud.com/kingsofclass

NEW MIX WITH FREE DOWNLOAD!: https://soundcloud.com/kingsofclass/kaskade-feat-decarl-aint-gotta

House Music Saved My Life: http://www.housemusicsavedmylife.com

July-U2N-Cover-Photo_downsize

Upcoming Events!

 

Interview by: Rooty_V

Follow me on IG @rooty_v

Borgore – #NEWGOREORDER Review [3/4]

Borgore_-_NewGoreOrder_Album_Download

“Dirty lyrics and dirty beats is the basis for the #NEWGOREORDER according to Asaf Borger, professionally known as Borgore. This album is home to the no-holds-barred raunchy lyrics and unique sounds he perfected by mixing trap, dubstep, and big room house. Featured guests, vocalists and producers, include Malcolm McDowell, Dan Farber, Adi Ulmansky, Miley Cyrus, Jake Sgarlato, and Yael.

The album starts off with its title track “#NEWGOREORDER”, lyrics by Malcolm McDowell-the actor from A Clockwork Orange- in a series of hypothetical’s including, but not limited to, imagining a world where people look like their profile pictures, having no questions because we have ALL the answers, and as perfect as a certain female’s breasts (shout out Kate Upton). Borgore could not resist doing big room house and did not disappoint with tracks such as “Hate”, “Be Ourselves”, and personal favorite “Piñata”. Tracks like “Syrup”, “Last Year”, and “Fame” showcase those Borgore-esque lyrics all his fans love him dearly for. Borgore’s #NEWGOREORDER is an exclamation of his renowned lyrics, drops, and bass. The album deserves 4 out of 4 stars”.

-AMANDO

“Borgore has grown on me over the years since I first heard Borgore Ruined Dubstep in 2010, with my favorite track being “Nympho”. His R rated lyrical themes and dirty beats instantly created a style of dubstep no one ever heard before.  This though didn’t sit well with everyone including me, but it did create a very supportive fan base of borewhores.  Over the years as his releases became more “mainstream” with “Decisions” being an instant hit. Though he always stayed true to his style, Borgore expanded his scope of work in #NewGoreOrder  where there is an evident influence of trap and big room house. His Lyrics are still funny and controversial and his beats very cleanly produced but still dirty. The album is everything good about Borgore amplified; I’m playing the album on repeat. Stop reading and go listen. [4/4]”

-MARCIN

Why_So_Chi_neon_review 2

“Well I sure did not have to make any hard “Decision’s” figuring out how much I loved Borgore’s new album “#NEWGOREORDER”!  Borgore takes raunchy rhymes, and “Ratchets” to a whole new level. Borgore was able to perfectly touch trap,  dubstep, and even big room house, all into one phenomenal album. Borgore greatly differentiates himself from other EDM artists, and that is something we seem to be lacking more and more in our scene. The roaring sound of Borgore’s new production is sure to remain ringing in our ears for quite some time! I’d give more if I could but Borgore definitely receives  4 out of 4 stars from me! It’s clear that Borgore has everyone clapping their hands (or other parts of their body), loving cake, wanting it all, and hash tagging #bootyforborgore.  “#NEWGOREORDER” says to continue on with the madness!”

-CATHY

“After listening to Borgore’s new album #newgoreorder and I have to say by far this is the worst album I have ever heard. This is the reason why the word ‘brostep’ exists, I tried to come into reviewing this album with an open mind but I would have rather listened to a Miley Cyrus rap song. Oh wait, she’s on this album too. Borgore’s attempt at rapping on this album was as good as being Brazilian in this year’s World Cup against Germany. Yes, in my opinion, this album was THAT bad. But I can’t blame Borgore, it was the record label that let this through. To each his own, from my understanding his fan base is a bunch of horny teenagers, at least someone likes him. 0 out of 4 stars”.

-Mario

“#NEWGOREORDER is one of the best albums that I have heard this year. Although I have already been a fan of Borgore’s, this album made me like him so much more. “Decisions”, “Body and Soul”, and “Last Year” are my personal favorites because they are very different. Borgore stepped away from the mainstream beats and added vocals (including his own rapping) to create very catchy dirty tracks. I will be keeping an eye out and hoping that Borgore will grace us with his presence in Chicago.. This album deserves  4 out of 4″.

-IZABELA

3_stars

RJ Pickens [Interview]

 

Pictured from left to right, Cathy,Izabela, Rj Pickens and Marcin post interview after his Silent Disco set at SAMF14 at Soldier Field in Chicago.

Pictured from left to right, Cathy,Izabela, Rj Pickens and Marcin post interview after his Silent Disco set at SAMF14 at Soldier Field in Chicago.

1)    How did you get into the EDM scene and who did you start out listening to?

“Well, I grew up listening to B96 in Chicago, amongst many other kinds of music, but I didn’t make the lifelong connection until I was 18 and I was up late and partying with friends as a freshman in college. An older friend that was a senior when I was a freshman put on a Chemical Brothers CD (“Exit Planet Dust”) and I was like “What is THIS??” I stayed up all night listening to it and then went to the record store and bought it the next day. It was all over after that.”

2)    How long did you perfect your mixing skills before you landed your first gig?

“I started playing when I was 18/19 at house parties. It wasn’t so much about mixing at that point, but rather programming; thinking a track or two ahead, programming your dance floor and keeping the party going. After I had been playing parties for a while to more mainstream type crowds, I learned how to match beats and the technical skillset along that avenue.”

3)    Did you ever experience that “I made it moment”? If so, when did it happen?

“I’m going to answer your question in a round-about way. I feel like a lot of people want to make progress in their craft or dj career or whatever, but I think people look at it the wrong way. Like, ‘I need to do all this stuff and then finally Boom – I’ll get to the end and its an instant reward.’ I don’t think this view is accurate, and I don’t think there’s one gig like “ahh I finally made it!”. I think it’s a string of small victories that you accomplish along the way. Then, after a while, look back and you think “Holy shit, I did all of that!”. That path is forever an ongoing path, you’re always learning and always wanting to improve. The journey is your destination. “

4)    I see you have performed all over Chicago including Primary, Spybar, Soundbar, the Mid, and Castle, but mainly Castle. Would you say that Castle is your favorite place in the city to spin? Or do you even have a favorite club in the city to spin at? If so why?

“Well, I have a lot of history at Castle. That’s not only one of the first clubs I started going to religiously when I was of age (it was called Vision at the time), but it’s been a big part of me, as I’ve put a lot of time and efforts in over there in all my years. I first played there in October of 2005. At the time, Armin (Van Burren) was a favorite artist of mine, and I got to play the early opening set for him. That was my first gig at Vision, and it was a pretty big deal at that! I always wanted to play that room. It was (and still is) Chicago’s big room. Then, in a round-about series of events, I started working there full time, and over the years ended up doing everything there from marketing, promotion, online ticketing, to event flyers and coordinating and managing events. I booked artists, dealt with artist hospitality/logistics and spun there monthly as a resident. I lived, ate, and breathed Vision. That place will always have a special place with me because I put so much blood and sweat into it. I’ve definitely played at many other places along the way as well, and there’s unique features to all of clubs that I play at regularly. I’m fortunate to able to play a variety of venues in this city, and it’s hard to pick a favorite. But hands down, the venue I have the most history with is Castle.”

5)    Besides Chicago, we see you were in Miami for the WMC and travelled around the Midwest. How do you feel the Chicago scene compares to the rest of the US?

“I mean. Im always going to love it here because it’s home, and we’re actually really fortunate to have what we have in Chicago, now more-so than ever. We’ve never had so many options, on any given week/weekend to see so many awesome artists. As a dance music consumer, it’s never been better times than right now. However, to answer your question: Every city is a little bit different, depending of what the city laws are. For example, as opposed to Chicago, Miami or Las Vegas have a 24-hour liquor license, so the parties go all night there because they can. Obviously, there needs to be a market for this music in place in each city in order for these events to succeed, but at this point, electronic music has never been more popular in America than it is now – all across the country.   There are a few major US markets that I feel are a little ahead of the game though, because they’ve simply been doing it for a lot longer than the rest of the country. The cities on that list for me would include: NYC, CHI, LA, SF, MIA, and Seattle.”

6)    You’ve been part of the Chicago scene for 14+ years, what do you think of the scene and how it has changed over the years?

“ Back in the beginning of my time here, there were a lot fewer of us. There were still a good number of us but stuff like Spring Awakening for 3 days, or even a one-day festival like this was unheard of at that time. Club and theater events were much more prominent. There was a large show/festival called PureNation back in 2006. That was a really big deal when that happened. It was a one-day event on Northerly Island for maybe 10,000 people. Everything else in the scene operated the same, but was to scale: fewer events, fewer large venue shows, or whatever but it was always still a great party. It’s nostalgic for looking back and being a part of all of it. I’m a little older now, and as I walk around I just see everyone having the best time of their life. Every one of these kids is counting down the hours to this event – people’s lives revolve around this. I remember being crazy excited about big shows in my younger years. It’s a cool feeling, and I’ll never forget it.”

7)    What is your most memorable DJ experience/gig and why?

“I’m terrible at answering questions such as this one, and it’s because I’m very fortunate to have had so many amazing nights playing in this city (and beyond) with a multitude of top-tier artists. However, I will definitely say that there is no feeling like taking your crowd on a true journey through the course of your set, and having that organic connection with them where it almost feels like you’re playing puppet master, pulling on all the right strings and making the crowd respond in unison. I’ve made many of those types of connections with crowds and dance floors over the years, and it truly never gets old.”

8)    Any advice you can give to young aspiring DJs and producers?

“I can suggest a couple things, for sure. 1. Do it for the reasons you want to do it for, and be happy with it. If you want to just play records cool, if you want to spin at your local bar cool. If you’re aspiring to do the artist thing and land bigger gigs with bigger headlining artists, it will require a lot more work. Whatever your choice, just do it for yourself and what drives you. 2. If you want to take the artist route, it’s never been so important to produce your own music. DJs now need even more material to set themselves apart from the masses of other DJs. Everyone who has a laptop can potentially be a DJ (and we’re at no shortage of people trying). 3) Only play the music that you love. Take the time to listen to the music you love and learn it. Nowdays, you have the ability to play any song in the history of music with the prevalence of the internet, so don’t just go cruise the Beatport top 100 and play the same cheese everyone else does. Dig a little deeper and play songs that truly move you, as that will begin to define your own artistic style of playing.”

9)    What’s next for Rj Pickens? Any big shows coming up, any collaborations albums or remixes we should keep an eye out for?

“This month (June) is a big month for me.  I have a lot of respect for the Pryda labels and collective of artists, and I actually get to play with all 3 of those guys this month. I played with Eric Prydz last night at The Mid, I’m Playing with Jeremy Olander next weekend, and with Fehrplay at the end of the month. I have RiverWest Music Festival coming up in July, a couple of shows in Detroit and Denver, along with a couple big shows here in CHI also. I have some tunes in the pipeline to be released soon as well. I recently did a remix for a buddy and fellow Chicago artist – Russoul (Cajual Records artist – Cajmere/Green Velvet’s label). He sent me a vocal track of his and I really dug it, and was happy to have a chance to give it my own treatment. Then, I’m looking to follow that up with a 2 track release of my own originals. I’ve got a number of other projects on deck too, and I’d love to give some more details on when those are coming, but we’ll just have to cross some of these bridges as they come, because sometimes there’s just not enough hours in a day!

Check out one of RJ Picken’s best sets below, as he opened up for Eric Prydz on June 13 at The Mid for an officially Spring Awakening Music Festival After Party.

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Tiesto – A Town Called Paradise Review [ 2.5/4]

A-Town-Called-Paradise-Album-Cover

Tiesto released his new album on Monday June 16th, 2014. With all the accolades that follow this person’s name, high expectations were held for new album “A Town Called Paradise”.

Tiesto brought a full lineup of incredible artists which include Icona PopDBXDzeko & TorresKrewella, and many more well-known artists. The guest vocals and productions of the well-know arsenal the dutch trance legend brought unto this album seem almost to be a waste. Tiesto is almost wanting to please the more “mainstream” crowd by playing that hands-in-the-air track on repeat. Most of his songs should be played in the club scene, and the others will hopefully get the remix they deserve. My rating for Tiesto’s “A Town Called Paradise” will be a 2/4.
-Amando

Tiesto’s new album “A Town Called Paradise” is a very heartwarming and fun album. Tiesto chose to go a different route with the tracks in this album by throwing out different types of vibes for each song. While one song can be fun and talks about being wasted (“Wasted”) or traveling/meeting people/making memories (“Footprints”), the next can be more emotional and about a possible significant other (“Echoes”, “Shimmer”). The album also features the internationally known “Red Lights” as well. As Tiesto said during an interview, he chose to show different sides or himself and opened himself up. Even so many years after his initial growth in popularity, Tiesto has shown me that no matter what the genre, he will still blow everyone else out of the water. Listening to this album is a MUST! 4/4 stars
-Iza

Why_So_Chi_neon_review 2

Tiestos new album gave me mixed feelings. It had too much vocals but then again a few of the tracks needed it. Matthew Koma of course made another appearance on another producer’s album; it’s no mystery that this man has become the voice of EDM at the moment. Other than the vocals it’s somewhat well balanced granted most tracks have been heard already and played in many of this summer’s festivals. Nonetheless the album gets 2 out of 4 stars from me. Tiesto needs to go back to his old ways, but he isn’t too bad when he tries the new stuff.
-Mario U

After being the first person from WhySoChi to hear “Wasted” at Ultra Miami 2014, I couldn’t wait to find out what Tiesto had in store for us in the future. A few days ago, the legend released his new album “A Town Called Paradise” which includes collabs with Icona Pop, Hardwell, Krewella, and of course, Matthew Koma. However, the pop industry is changing veteran DJ Tiesto. Most of the tracks on the album are obvious crowd-pleasers and sound the same. Although, Tiesto does admit that his new album is very different from his other ones and he claims that the lyrics are quite personal. I have to admit that Tiesto brings you to a town called paradise when you experience one of his sets but the ride just isn’t that exclusive anymore. Tiesto’s new album in 5 years, “A Town Called Paradise”, deserves 2 out of 4 stars for original tracks like “Can’t Forget” and creative tracks like “Set Yourself Free”.
-Nina

In interviews leading up to the release of this album Tiesto mentioned the album will have a heavy Indy rock influence and it shows as the album is very vocal. It seems that 2014 is the year every heavy hitting DJ tries something new either to expand their horizons or draw in a more mainstream crowd. Where Skrillex and Afrojack failed in my opinion, Tiesto not surprisingly succeeded. Even with a heavy vocal influence the album is solid with the exception of a few tracks. My personal favorites are “Echoes” “Rocky” and “Can’t Forget” all of which have limited lyrics with a great beat. The vocal side of the cd is also solid as Tiesto puts great melodies behind those vocals which gives me hope for some good edits and remixes in the near future. If the album was less vocal I could give this album a perfect score, but unfortunately it is not so Tiesto loses a few points in my book. Don’t worry, whether you listen to EDM stations or not you’ll probably hear many of these tracks on the radio soon.[3/4]
-Marcin

Two_and_a_half_Stars